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• 프레카리아트 비극론
• “Living on the Dark Side of the Moon”
• Unraveling “knotty feelings” in Zadie Smith’s White Teeth
• Christian Stewardship and the Question of Freedom in The History of Sir George Ellison
• Non-native Phonetic Convergence in Korean L2 Learners of English
• A Comparative Study of the Macro-event in English and Chinese
• 기독교적 관점에서 본 토니 모리슨 소설의 희생양 메커니즘 연구
• “[T]he garden says it all”
• Stanley Kubrick’s Cinema of Fantastic Spectacle
• “She Will Know That I Am a Mother”
• The English Abbey and the Modern Gothic Nation in Northanger Abbey and Emma
• Rethinking the Homeland through Female Narratives in Hollywood Asian Family Films
• Queer Blackness in James Baldwin's Another Country
• Reconstructing the ‘Domestic’
• Deterritorialization and Transposition in Dionne Brand’s Love Enough
• 생리학적 관점에서 본 『프랑켄슈타인』
• Theater of Whorish Bodies in Titus Andronicus and The Jew of Malta
• Effects of L2 experience on the acquisition of English trisyllabic noun stress patterns by native Ko...
• 웨스턴 영웅과 폭력 서사의 전복
• 뮤지컬 <프랑켄슈타인>