| 2023 | 17세기 여성 예언가의 독자 포섭적 서사 전략 연구 | 김고은 | Master's Thesis |
| 2023 | “Something” as Legacy in Jacqueline Woodson’s Red at the Bone | 손민정 | Master's Thesis |
| 2023 | 17세기 여성의 자기변호를 통한 자아 구축 | 김인후 | Master's Thesis |
| 2023 | Syntactic Licensing of the Perfect in English | 민효민 | Master's Thesis |
| 2023 | 문학작품에 나타난 섭식담론 | 금하영 | Master's Thesis |
| 2023 | 영어 동사의 다의성 연구 | 김수연 | Master's Thesis |
| 2023 | 탬벌레인 만들기 | 김리안 | Master's Thesis |
| 2023 | The Returned Mothers | 허세은 | Master's Thesis |
| 2022 | “Living on the Dark Side of the Moon” | 김혜준 | Master's Thesis |
| 2022 | Unraveling “knotty feelings” in Zadie Smith’s White Teeth | Kim, A Young | Master's Thesis |
| 2022 | Christian Stewardship and the Question of Freedom in The History of Sir George Ellison | 김여경 | Master's Thesis |
| 2022 | Non-native Phonetic Convergence in Korean L2 Learners of English | ANDRIANAKI, EVANTHIA | Master's Thesis |
| 2021 | “[T]he garden says it all” | 조주영 | Master's Thesis |
| 2021 | Stanley Kubrick’s Cinema of Fantastic Spectacle | 이정행 | Master's Thesis |
| 2021 | “She Will Know That I Am a Mother” | 곽하은 | Master's Thesis |
| 2021 | The English Abbey and the Modern Gothic Nation in Northanger Abbey and Emma | 하유림 | Master's Thesis |
| 2021 | Rethinking the Homeland through Female Narratives in Hollywood Asian Family Films | 이지영 | Master's Thesis |
| 2021 | Queer Blackness in James Baldwin's Another Country | 주시수 | Master's Thesis |
| 2021 | Reconstructing the ‘Domestic’ | 김아라 | Master's Thesis |
| 2020 | Deterritorialization and Transposition in Dionne Brand’s Love Enough | 이신영 | Master's Thesis |
