조선시대로 옮긴 "리어왕"의 무대의상디자인

Abstract

蘿臺衣裳은 劇의 性格과 人物에 관한 情報를 제공한다. 本 論文은 Shakespeare의 「리어왕」을 韓國 古典 史劇化하여 舞臺衣裳 構成을 시도한 것이다. 硏究 方法은 劇의 구체적인 時代 背景을 朝鮮時代로 삼아, 劇과의 상관성을 고찰하고, 人物에 따른 舞臺衣裳을 디자인 하였다. 作品 製作은 12점의 일러스트레이션을 4개의 장면으로 나누어 提示하였는데, 첫째 장면에서는 身分에 따른 衣裳을, 둘째, 셋째 장면에서는 人物의 象徵性에 중점을 둔 衣裳을, 넷째 장면에서는 人間本質을 나타내는 衣裳을 구성하였다. 이처럼 傳統衣裳을 舞臺衣裳으로 발전시킴에 있어 ,朝鮮時代의 服飾의 線을 가능한한 살려 그時代性을 상실함이 없이 效果的인 舞臺衣裳을 제시하고자 하였다.;The stage apparel provides us with the information of the personality and character of drama. This thesis tried to construct the stage apparel by changing the King Lear written by Shakespeare into the classical Korean historical drama. The method of study is to consider the concrete background of age of the drama as the age of Yi Dynasty, and correlation with the drama was checked, and designed the stage apparel according to the character. In the manufacture of works, twelve (12) illustrations were divided by four (4) seenses, and presented. In first scene, the apparel according to the status was constructed. In second and third scenes, the apparel which attached importance to the symbolism was constructed. In fourth scene, the apparel which is gruesome but expresses the nature of human being was constructed. In developing the status apparel as the stage apparel, the researcher tried to present the effective stage apparel without losing the spirit of the times, with the line of Yi Dynasty dress and ornaments intact.