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Ludwig van Beethovern Violin Sonata No.5 F major op.24의 분석과 고찰

Title
Ludwig van Beethovern Violin Sonata No.5 F major op.24의 분석과 고찰
Other Titles
A study of L. V. Beethoven Sonata for Violin and piano No.5 and in F major op. 24
Authors
정유진
Issue Date
2006
Department/Major
대학원 음악학부
Publisher
이화여자대학교 대학원
Degree
Master
Advisors
이택주
Abstract
본 논문은 Ludwig van Beethoven의 Violin Sonata No.5 op.24를 분석, 고찰 하는 것을 목적으로 한다. Beethoven은 평생 10곡의 Violin Sonata를 작곡했는데 Sonata no.5 op.24는 Beethoven의 중기 걸작이라 할 수 있는 9번 (Kreutzer Sonata)과 함께 유명한 곡이다. “Spring”이라는 부재는 Beethoven 자신이 직접 붙인 것이 아니고 그의 바이올린 작품이 대부분 어두운 반면 이 소나타는 유독 밝고 포근한 느낌의 곡으로 후대 사람들에 의해 (Spring Sonata)라는 별칭이 붙여졌다. 1801년에 작곡 되어진 이 Sonata는 그의 작품시기 중 중기에 속하는 작품으로서 Haydn이나 Mozart의 영향으로부터 벗어난 독자적인 작품이라고 할 수 있다. 이전의 Sonata와는 달리 Scherzo형색을 삽입하여 4악장으로 확대 구성되었다. 본 논문은 Violin Sonata op.24의 악곡 구조를 악장별로 분석하고 짜임새, 형식, 화성 등을 분석하고 특징을 살펴보고자 한다.;In the music history, Ludwig van Beethoven followed Franz Joseph Haydn and wolfgang Amadeus Mozart to culminate the classical music of vienna and became a pioneer in romantic music. Beethoven's works composed of stringed instruments and piano include Piano Trio and String Quartet. In his works, Beethoven presented a new world based on a classical music style. This thesis in aimed to analyze Violin Sonata No.5 op.24 of Ludwig van Beethoven . Beethoven composed 10 Violin Sonatas throughout his life. Sonata No.5 is very renowned along with Kreutzer Sonata (Sonata No.9), which is a masterpiece created in the middle period of Beethoven's life. No.9 was composed in 1812, a transitional time between the middle and the last period and vas nicknamed Spring Sonata by later generations since in gives a brighter and warmer feeling than other works do. Unlike previous ones, this sonata was enlarged to comprise four movements, into which a Scherzo movement was inserted. Violin Sonata No.5 focuses on its first and fourth movements. Moreover, No.5 repeatedly uses the first motive of the first theme of its first chapter in its second and fourth chapters, maintaining consistency throughout the melody, This Sonata is characterized by what may be called a cyclic form approach. As for harmony techniques, the melody uses a modulation and upper and lover major and minor third relationship, demonstrating its romanticist tendency, In particular, the frequent use of a swift contrast between strong and weak and use of sf fully represents the freedom and intense impression, which are frequently attested in Beethoven's works created in the middle period of his musical life.
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