Johannes Brahms의 Violin Sonata No.2 in A Major, Op.100에 관한 분석 연구

Abstract

Johannes Brahms, the composer, conductor and pianist, maintained constructed beauty of form with romantic expression, which classic musicians emphasize. Brahms, inspired by momentum of J.S Bach’s baroque form and L.V Beethoven’s classical music formula. Thus, his stand-along style was built with romantic lyricism. Brahms’Violin Sonata No.2 Op.100 composed by three movements especially states his unique characteristics utilizing romantic remains such as relevance and enlargement between second and third degree of each note, systematic relationship, secondary dominant, borrowed chord, complex rhythms such as 2 Fathers 2:3. Brahms’ Brahms designed 4 musical elements on theme melody of this sonata: 1. Perfect 4th and conjunct motion 2th (a), are the most significant elements throughout the three movements. 2. (b), which is conjugating auxiliary sounds, 3. (c) consisting of a leap forward in harmony. 4. (d) element with such a smooth sequential downward march, along with similar characteristics of element (a) is also composed of major musical elements in each of the three movements. The second movement is a combination of binary form. It is composed of part 1, part 2 and Coda. In the second movement, the key elements of music from the first movement Perfect 4th descending skip tone – 2nd ascending conjunct motion and the auxiliary sound structure (b) continue to develop with a theme motivation. As the second movement proceeds, a romantic color is made by using a combination rhythm and dot rhythm as a rhythmic feature, and frequent variations and subsonic sounds. The third movement represents (c) elements of the first movement’s sound splash in the form of traditional Rondo and repeats the phrasis in terms of Major 3rd of A Major-C# minor. The third movement is characterized by 3rd relationship and continues to develop the music structure, hence the second pitch in the first movement is used as the construct of the harmony of the music. The main musical elements of the first movement are derived and come together, and each section is systematically connected using colorful chromatic scale and complex rhythms more frequently likewise. In conclusion, taking a look at the analysis of his pieces, Brahms was found to be a composer who creatively combined the characteristics of two conflicting musical languages. This piece inherits the formal beauty of traditional classical music by thoroughly designing the structure of the music while keeping the musical features and grammar of from romantic era.;본 논문은 요하네스 브람스(Johannes Brahms, 1833-1897)의 Violin Sonata No.2 in A Major, Op.100 에 관한 분석 연구이다. 이 작품은 브람스가 작곡한 세 개의 바이올린 소나타 중 두 번째 작품으로 스위스 알프스산맥의 툰(Thun)호수 근처에서 3년간 지내며 작곡했으며 브람스가 추구한 고전적 형식미와 낭만적 어법을 결합한 작품으로 전체 3악장으로 구성되어 있다. 제 1악장은 고전 소나타 형식으로 제시부, 발전부, 재현부로 구성되어 있으며 전통 소나타 구조에 벗어나지 않고 주제 선율을 발전시키는 것이 특징적이다. 제 2악장은 제 1부( A B )-제 2부( A’B’)-코다( A”B”)로 구성된 복합 2부 형식으로 리듬과 빠르기의 잦은 변화를 중점적으로 연출한다. 제 3악장은 전형적인 론도 형식으로 A – B – A’- C – B’- A”- Coda로 진행한다. 브람스는 자신만의 특유한 낭만적 색채를 살려 음악적으로 표현하고 선율성을 강조면서도 기존의 론도 형식을 유지했다. 브람스가 추구한 음악적 특징, 특유의 내면적인 음악 세계에 대해 참고 문헌과 연구 자료를 바탕으로 브람스의 바이올린 소나타 2번의 각 3개의 악장 형식 구조와 음악적 특징을 심층적으로 분석하고자 한다. 본 연구가 브람스의 음악적 어법을 이해하고, 본 곡을 연주하는 연주자들에게 도움이 되길 바란다.