J. S. Bach의 Flute Sonata BWV 1034와 F. Poulenc의 Sonata for Flute and Piano에 대한 연구분석

Abstract

본 논문은 석사과정 이수를 위한 졸업연주회에서 연주하였던 작품들 중에서 J.S.Bach의 Flute Sonata BWV 1034와 F. Poulenc의 Sonata for Flute and Piano를 분석, 고찰한 것이다. 분석에 앞서서 J.S Bach의 Flute Sonata들의 특징과 F. Poulenc의 생애와 작품경향을 살펴보았다. 분석을 통하여 살펴본 결과는 다음과 같다. J.S.Bach의 Flute Sonata BWV 1034는 4악장으로 된 Sonata dachiesa양식으로 되어있으며, 1악장 Adagio ma non tanto는 3부분형식(A A' A"), 2악장 Allegro는 Fuga, 3악장 Andante는 3부분형식(ABA)그리고 4악장은 2부분형식으로 되어있다. 전악장을 통하여 Flute은 주로 16분음표로, Continuo 하성부는 8분음표로 진행한다. 각 악장의 주제선율은 Motive의 변형, 전위, 반복및 동형진행의 형태로 나타난다. F. Poulenc의 Sonata for Flute and Piano는 3부분형식으로 되어있다. 또한 모든 악장은 조표를 갖고있지는 않지만 조성을 내포하고 있으며 순환주제의 양식을 취하고 있다. 작품의 특징은 병행, 선율의 이동, 음형의 변화, 지속음사용, 7화음, 9화음, 증·감3화음, Syncopation리듬을 통하여 음악을 전개시켜나가는 것이다.;In this thesis, by adopting and analyzing Flute Sonata BWV of J. S.Bach and Sonata for Flute and Piano of Poulenc were studied. Before analysis, the feature of Flute Sonata of J.S.Bach and the life and work tendency of Poulenc were examined. The result examined through analysis is as follows; Flute Sonata BWV 1034 of J.S.Bach is composed of Sonata da chiesa style which consists of 4 movements. And the first movement, Adagio ma non tanto is made with 3 parts form (A A' A"), the Second movement, Allegro is made with Fuga, the third movement, Andante is made with 3 parts form(ABA), and the fourth movement is made with 2 parts form. Flute is mainly progressed with the sixteenth note, and Basso Continue is progressed with the eighth note. The theme of each movement is progressed with the transformation, imitation, inversion, repetition and sequence. Sonata for Flute and Piano of Poulenc is composed of 3 movements. The first movement is Allegro malinconico, the second movement is Cantilena, and third movement is presto giocoso, and all are composed of 3 parts form. In addition, all the movements don't have Key-Signature, but they are involving the tonality. And, all the 3 movements are taking the style of cyclic theme. As for the feature of music, Sonata for Flute and Piano of F. Poulenc is unfolded through parallel progression, transfer of melody, transformation of figure, use of pedal point 7th chord, 9th chord, chord of augmented triad, chord of diminished triad, additional chord, and Syncopation rhythem.