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• Toward a Comparative Classics
• Parasitic gap patterns and hierarchy preservation in German
• An Ambivalent Gaze at North Koreans in Guy Delisle's Pyongyang
• On wh-copying in Mon
• Narratives of "borders conquered, disfigured" in Myung Mi Kim's Under Flag
• Perceptions on generic exceptions
• Monstrous National Allegory: The Making of Monstrous Otherness in Na Hong-jin's The Wailing
• Multiple movement dependencies and parasitic gaps
• Transnational Film Remaking and Destabilized Meanings: Reading Kim Jee-woon's The Good, the Bad...
• An acquisition-based evaluation metric for competing syntactic theories
• Verb class and instrument PPs: A mixed model analysis
• Right to the City: The Metropolis and Gangnam Style
• Effects of gender on the use of voice onset time and fundamental frequency cues in perception and pr...
• Spectral patterns of the American English diphthong /aI/ as a function of coda voicing produced by n...
• Total and partial predicates and the weak and strong interpretations
• Dance and Democracy
• Cosmopolitan Practice, Asian Otherness, and a Localized Cosmopolitanism in Guy Delisle's Asian ...
• MAN OF LA MANCHA
• The Vexed Location of Teaching American Studies in South Korea
• Verb Agreement in English Wh-Clefts: A Corpus-Based Study