<흑홍금보>의 거문고와 양금의 선율 비교 연구

Abstract

In this thesis, among 『Heukhonggeumbo』 in which the scores of geomungo and yanggeum were recorded together in the early 20th century, <Bonyeongsan>, <Jyungyeongsan>, <Janyeongsan> and <Garakdoduri> of Yeongsanhoesang were translated back into staff notation, and geomungo melody and yanggeum melody in 『Heukhonggeumbo』 were compared and analyzed. Bonyeongsan's melody was analyzed by dividing one gak in half into first half gak and later half gak. The conclusion analysis was based on one jeonggan, and as a result of examining a total of 340 melodies, out of a total of 340 jeonggans, 215 were the same melodies, which was 63.2%, 107 were similar melodies, which was 31.5%, and 18 were different melodies, which was 5.3%. Jyungyeongsan's melody was analyzed by dividing one gak in half into first half gak and later half gak. The conclusion analysis was based on one jeonggan, and as a result of examining a total of 360 melodies, there were 295 melodies that appeared the same, which was 81.9%, similar melodies were 61, which was 16.98%, and 4 were different melodies, which was 1.1%. Janyeongsan's melody was analyzed one gak at a time. The conclusion analysis was based on one jeonggan, and as a result of examining the total number of jeonggan with 140 melodies, the same melodies were 99, which was 70.7%, similar melodies were 37, which was 26.4%, and different melodies were 4, which was 2.9%. Garakdoduri's melody was analyzed one gak at a time. The conclusion analysis was based on one jeonggan, and as a result of examining the total number of jeonggan with 100 melodies, 75 were the same melodies, which was 75.0%, 25 were similar melodies, which was 25.0%, and there was 0 different melody, which was 0.0%. In Yeongsanhoesang of 『Heukhonggeumbo』, four songs from Bonyeongsan to Garakdoduri were compared and analyzed for geomungo melody and yanggeum melody to find out the ratio of same melody, similar melody, and different melody. In addition, the distribution in four songs according to the comparison standard was also investigated. As a result, among the total number of jeonggans of the four songs, there were 684 same melodies, which was 72.7%, 230 similar melodies, which was 25.0%, and 26 different melodies, which was 2.3%. Same melody appeared 45.4% more than the sum of similar and different melodies with 428 differences.In the relationship between geomungo melody and yanggeum melody, it was found that the matching melody appeared more than similar and different melodies in the three classifications of each song and the each melody comparison classification of four songs.;본 논문은 20세기 초에 거문고와 양금의 악보가 함께 기록되어 있는 『흑홍금보』 중 영산회상의 <본영산>, <즁영산>, <잔영산>, <가락도두리>까지의 네 곡을 오선보로 역보 하여 『흑홍금보』에서의 거문고 선율과 양금 선율을 비교 분석하여 살펴보았다. 본영산의 선율을 한 각을 반으로 나누어 전반각과 후반각으로 분석하였다. 결론 분석은 한 정간을 한 개 기준으로 하였으며, 총 340개의 선율로 살펴본 결과 총 정간 수 340개 중 동일하게 나타나는 선율은 215개로 63.2%, 유사선율은 107개로 31.5%, 상이선율은 18개로 5.3%의 비율로 나타났다. 즁영산의 선율을 한 각을 반으로 나누어 전반각과 후반각으로 분석하였다. 결론 분석은 한 정간을 한 개 기준으로 하였으며, 총 360개의 선율로 살펴본 결과 동일하게 나타나는 선율은 295개로 81.9%, 유사선율은 61개로 16.98%, 상이선율은 4개로 1.1%의 비율로 나타났다. 잔영산의 선율은 한 각씩 분석하였다. 결론 분석은 한 정간을 한 개 기준으로 하였으며, 총 정간 수 140개의 선율로 살펴본 결과 동일하게 나타나는 선율은 99개로 70.7%, 유사선율은 37개로 26.4%, 상이선율은 4개로 2.9%의 비율로 나타났다. 가락도두리의 선율은 한 각씩 분석하였다. 결론 분석은 한 정간을 한 개 기준으로 하였으며, 총 정간 수 100개의 선율로 살펴본 결과 동일하게 나타나는 선율은 75개로 75.0%, 유사선율은 25개로 25.0%, 상이선율은 0개로 0.0%의 비율로 나타났다. 『흑홍금보』 영산회상 중 본영산부터 가락도두리의 각각 네 곡을 거문고 선율과 양금 선율을 비교 분석하여 동일선율, 유사선율, 상이선율에 대한 비율을 알아보았다. 또한, 그 비교기준에 따른 네 곡에서의 분포도도 알아보았다. 그 결과 네 곡의 총 정간 수 940개 중에서 동일하게 진행되는 선율이 684개로 72.7%, 유사하게 진행되는 선율이 230개로 25.0%, 상이하게 진행되는 선율이 26개로 2.3%로 나타났다. 동일선율은 유사선율과 상이선율의 합보다 428개 차이로 45.4% 더 많이 나타났다. 거문고 선율과 양금 선율 관계에서 각 곡의 세 가지 분류에서도, 네 곡의 각 선율 비교 구분에서도 일치하는 선율이 유사선율과 상이선율보다 더 많이 나타남을 고찰해 낼 수 있었다.