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dc.contributor.advisor육완순-
dc.contributor.author박은영-
dc.creator박은영-
dc.date.accessioned2016-08-26T04:08:46Z-
dc.date.available2016-08-26T04:08:46Z-
dc.date.issued1990-
dc.identifier.otherOAK-000000017113-
dc.identifier.urihttps://dspace.ewha.ac.kr/handle/2015.oak/208006-
dc.identifier.urihttp://dcollection.ewha.ac.kr/jsp/common/DcLoOrgPer.jsp?sItemId=000000017113-
dc.description.abstractPina Bausch who is leading the contemporary Expressionism Dance (Dance-Theater in Particular) is discussed in this thesis. The contemporary Expressionism Dance has appeared sensationally in the contemporary dance scene and has been puting a lot of vitality into it. Pina Bausch was born on July 27th, 1940 in Sol men, Germany. She started dancing at Folkwan School under Kurt Jooss and is presently one of the very active choreographer in the world. she also supports the women's liberation movement. she enlarged her dancing world by performing in various parts of the world, and made her teacher Kurt Jooss and the Wuppertal Dance Theater famous all at once. She showed a style of German dance and has socked the world with this style. She has a unique choreography method and vision of art. The theme of her works is the culture itself that the world is facing so isn't seen as a movement in a dance or a theatrical line. The composing elements are satire in culture, irony, and overturning of a theory. The works of Bausch deal with the fundamental human impulse psychological, social oppresion and constraints, etc. The basic theme is love and nervousness and how people deal with it. In dealing with the problems of man and woman relationships, she uses something like alight motive in music through her works. She shows us the situation if people trying to find their identities and their social roles. She reminds us things we have usually forgotten our everyday life. The life and works of Pina Bausch and the German dance scene before her has been studied in this thesis. also, through her works, I analzed her art vision and choreography method. The present position of the Wuppertal Dance Theater that Pina Bausch is dancing will be mentioned and therefore I have tried to find problems and a future direction.-
dc.description.tableofcontents목차 = ⅰ 논문개요 = ⅲ Ⅰ. 서론 = 1 A. 연구목적 = 1 B. 연구방법 = 1 C. 연구의 제한점 = 2 Ⅱ. PINA BAUSCH의 이론적 배경 = 3 A. 바우쉬의 생애 = 3 B. Bausch에게 영향을 준 사회적 배경과 사상 = 5 Ⅲ. PINA BAUSCH의 작품세계 = 14 A. 작품해석을 통한 예술세계 = 14 B. 작품분석을 통한 안무방법과 특징 = 36 1. 주제, 장면, 삶의 이야기 = 37 2. 접촉의 무대 = 38 3. 꼴라쥬 형식의 안무 = 39 4. 이미 알고 있던 것을 새롭게 인식한다 = 39 5. 객석과 무대와의 결합형태 = 40 6. 무대 : 예술공간에서 자연공간으로의 변경 = 41 7. 음악 : 다음(多音)의 구성, 몽타취에 의한 희극론 = 43 8. 의혹이 형식을 탄생시킨다-원, 반복, 대각선 = 44 9. 움직임의 효율성, 시간의 단절성 = 45 C. Wuppertal Dance Theather = 47 D. 미국무용과 독일무용의 관계와 차이점 = 51 Ⅳ. 결론 = 54 *PINA BAUSCH의 작품사진 = 57 참고 PINA BAUSCH의 작품연보 = 70 참고문헌 = 75 ABSTRACT = 79-
dc.formatapplication/pdf-
dc.format.extent4149536 bytes-
dc.languagekor-
dc.publisher이화여자대학교 대학원-
dc.subjectPINA BAUSCH-
dc.subject예술세계-
dc.subject안무방법-
dc.subject.ddc700-
dc.titlePINA BAUSCH의 예술세계와 안무방법에 관한 연구-
dc.typeMaster's Thesis-
dc.format.pageiii, 80 p.-
dc.identifier.thesisdegreeMaster-
dc.identifier.major대학원 무용학과-
dc.date.awarded1990. 8-
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