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북한의 무용예술에 관한 연구

Title
북한의 무용예술에 관한 연구
Other Titles
(The) Actual Analysis of the changed Dance Art in North Korea since the Division
Authors
김용경
Issue Date
1989
Department/Major
대학원 무용학과
Keywords
북한무용예술문예정책
Publisher
이화여자대학교 대학원
Degree
Master
Advisors
육완순
Abstract
This study is intended to analyze the change realities of dance art according to the trend of literary policy by the switch of political ideology of North Korea after the division. This attempt, at present point of view when it is increasing to make a disscussion on the recovery of national the same quality, is to say that it is the will of unification desire through investigating the actual condition in the aspect of dance art of human incitement by nature. In section Ⅰ, the introduction, the motive of writing and the content of this study are explained. In section Ⅱ, the first part of main subject, suggested the subsequent background of literary policy switch and the subjectivity of literary policy by investigating the change of political ideology of North Korea. In section Ⅲ, through explaining of the concrete examples of works shout the changed form in dance art according to the literary policy ahcnge, this part treis to inform the compelled thoughts and the degraded actual conditions of changed dance art for agitative purposes, and by studing the duty and their realities given to the dance artists, the extreme conditions of change is intended to inform. In section Ⅳ, this study attempted to foretell that the closing policy of North Korea is the inevitable revealation of limitation in dance art of human inciment art by nature. In section Ⅴ, the conclusion, at present in the subjective aspect of dance art fieds, the problems of our country are suggested by analyzing the changed quality of North Korea'a2s dance art, and the following facts are indicated that the immediate of the sufficient interchange problem between the art companies of North and South in the qualitative and quantitative aspect toward one direction of the recovery of the national same quality, and that such an execution on it is a way to the unification desire.;본 연구는 분단이후 북한 정치이데올로의 변화에 의한 문예정책의 변화와 이에 따른 무용예술의 이질화된 실재를 규명하는데에 목적을 두고 있다. 이러한 목적을 달성하기 위하여 문헌적 연구방법에 의하여 시도 되었다. 이러한 시도는 인간본연의 충동예술이라 할 수 있는 무용예술이 정치적 사상전달매체로 어떻게 전락되어 변질 되었으며, 그러한 사상성에 의한 종국적 한계성을 실증하고자 함에있다. 정치적 이데올로기의 변화와 이에 따른 문예정책변화가 무용예술의 변질에 어떻게 작용하였는지를 파악하였으며, 이러한 작용으로 변질된 형태의 무용예술작품을 예로써 제시하여 그 실증적 실재를 파악하였다. 즉, 사상성이 강요되고 대중을 선동하려는 목적하에 전략된 무용예술과 무용예술인들에게 주어진 임무나 그들의 실상황을 연구함으로써 극한적 이질상태에 역점을 두었다. 그러나 충동예술로써의 무용예술에 대한 사상적 폐쇄성이 갖는 한계성이 드러남으로써 현재 우리나라의 순수예술적 측면에서의 무용예술과 명백히 대비됨을 제시하였다.
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