鄭芝溶詩의 感覺과 詩的 變容

Abstract

鄭 芝溶 韓國 現代 詩文學史에서 중요한 위치를 점하고 있는 詩人으로 그에 대한 旣存 硏究가 많이 이루어졌으나 作品 自體를 분석하여 鄭 芝溶의 意識世界와 그 志向性을 밝힌 硏究는 이루어지지 않았다. 本 論文은 詩를 詩人의 意識世界의 變容으로 보고 感覺을 중심으로 鄭 芝溶의 詩作品을 分析하여 詩에 表現된 詩人의 意識構造와 그 志向性을 糾明해보고자 한다. Ⅰ장에서는 感覺에 관한 硏究가 詩人의 意識世界를 解釋하는 端緖가 될 수 있음을 밝히고 아울러 旣存 硏究의 문제점도 살펴보았다. Ⅱ장에서는 鄭 芝溶 詩에 나타난 感覺을 분석하여 詩的 對象의 變容過程에 나타난 그의 意識世界와 그 志向性을 살펴보았다. 鄭 芝溶의 形態에 대한 志向은 圓形으로 形象化되고 있다. 圓形은 그 완벽성과 自我 變轉의 요소에 의해 事物의 理想的 形態로 詩人에게 認識되어, 그의 詩 속에서 다양한 對象을 모두 圓形化하는 특성을 보인다. 透明性을 志向하는 詩人의 色彩는 水墨色과 보라색으로 특징지워진다. 특히 보라색은 밝고 맑은 事物과의 結合으로 자신의 속성을 變化하여 透明化를 追求하는 詩人 意識의 한 志向을 드러낸다. 鄭 芝溶 詩에 使用된 音韻의 變異와 상징어 등에서 나타나는 맑고 가벼운 구르는 듯한 소리는 圓形의 透明化의 또 다른 表象이라 할 수 있다. 詩人의 意識 속에서 透明한 圖形으로 變容된 對象은 그 자체의 내면을 凝視하게 하는 `차가움`으로 인해 단단하게 凝結되고 縮小되며, 이렇게 變容된 對象은 명상을 통해 완전한 存在로의 轉移를 이루게 된다. 鄭 芝溶은 感情을 主體와 가장 완전한 일치를 이루는 味覺語와 결합시켜 內密化하고자 한다. 이런 感情의 內密化를 통해 對象은 자아의 완성에 도달하여 성숙된 存在로서 자신의 擴散을 추구하게 되는 것이다. 鄭 芝溶이 志向하는 對象의 마지막 변용 과정인 확산은 `植物牲`이라는 독특한 형태를 취한다. 자신의 형태를 손상함이 없이 자아를 중심으로 `放射線`으로 확산하는 植物的 향기 또한 '파라솔`과 같이 언제든지 본래의 자리로 還元이 가능하므로 가장 理想的인 것으로 詩人에게 認識된 때문이다. 本 論文은 鄭 芝溶의 詩 117編에 나타난 感覺을 중심으로 그의 의식세계를 分析한 결과, 詩人의 想像力의 志向이 對象을 透明하고 둥근 事物로 變容을 하고 있음을 밝힐 수 있었다.;JEONG Ji-Yong (鄭芝溶) is a poet who has the important position in the Korean Modern poetic History. Many studies on him appeased, but the essential study which clearly express the conscious world and it's intention by his works itself had not done This thesis is aimed at analyzing the poctical works of JEDNG Ji-Yong, focused on Sensation. The poetry is thought that the poet's conscious world with the consistency was transformed. This thesis, therefore, tried to inquiry the consciousness and it's intention of the poet which was expressed in the poem. In Chapter I, as the sensation was expressed in the poem through the imagination of the poet, the study on the very subject is the clue which analyzes the poet's consciousness. And, at the same time, the problems of the existing studies were examined. In Chapter 11, the sensation of poem of JEONG Ji-Yong was analyzed, and his consciousness and it's intention expressed in the transformation of the poetic object were reviewed. The aspiration for the form by JEONG Ji Yong is shaped by round shape. The round shape is recognized by the poet as the ideal type of thing by its own completeness and factor of self-mutation, and the diversified object in his poem show the features of round shape. The color of the poet headed for the transparency is characterized by the color of India ink and light purple color. Especially, the light purple color expresses the aspiration for the consciousness of the poet who pursues the transparency by changing its own attribute in connection with the thing which is bright and clear. The sound which is clear and light and rolling in the change of phonological structure of word and the symbolized word used in the poem of JEONG Ji Yong may be called the other expression of the transparency o f the round shape. The object changed into the transparent round shape In the poet's consciousness is hardened and shrinked due to the coldness which stares at its own inner. The object which was thus changed comes to be transformed into the complete existence through the meditation. JEONG, Ji Yong intends to connect the feeling with the word of taste and informalize it. The object, through the informalization of feeling, reaches the self-completeness, and it comes to pursue the extension of self as the grown extension of self as the grown existence. The extension which is the last process of change of the object takes the unique shape of vegetability. The vegetable flavor which is extended to the radial ray, centered on the self, with its own type intact is also same as the parasol which can be returned to its original position all the time, and it is recognized by poet as the most ideal. As a result of analysis of JEONG Ji Yong's conscious world on the basis of his 117 poems, it was revealed that the strong aspiration of imagination of the poet intended to change the object into the transparent and round thing.