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dc.contributor.advisor崔淳雨-
dc.contributor.author김민자-
dc.creator김민자-
dc.date.accessioned2016-08-26T11:08:03Z-
dc.date.available2016-08-26T11:08:03Z-
dc.date.issued1969-
dc.identifier.otherOAK-000000057960-
dc.identifier.urihttps://dspace.ewha.ac.kr/handle/2015.oak/203473-
dc.identifier.urihttp://dcollection.ewha.ac.kr/jsp/common/DcLoOrgPer.jsp?sItemId=000000057960-
dc.description.abstractThe mosaic embroidery Rung-Bai presents to the degree of Yi Dynasty. Early in the Yi Dynasty Fung-Bai used mainly from young Rak Ye Je of Ming Dynasty in China. The Fung-Bai begun to discuss at first January in Sejong 28, but it did not constituted. At Dec 2nd year of Dan Jong, again it discussed, first formally it constituted. Gradually, Eyun San Gun time we have used the special mosaic in Korean colours and Korean figures. There were deers, pigs, crows in embroidery by photographic profiles. But later document was not the material of Fung-Bai, but then we investigate to the photographic profiles on changing process in the theme. We investigated the Fung-Bai of Yi Dynasty, early we are influenced by Ming Dynasty, but later we have a special charactristics in ourselves. Then Korean Fung-Bai made a difference from China. That the Fung-Bai constitutied for Yi Dynasty political order, did not well proceeded. But Fung-Bai was a remarkable influence to the history of Korean Art.-
dc.description.tableofcontents目次 = 0 Ⅰ. ABSTRACT = 1 Ⅱ. 序論 = 2 Ⅲ. 胸背 制定의 由來 = 3 Ⅳ. 胸背의 考察 = 15 1. 胸背에 나타난 鳥獸 變遷 = 15 ① 鶴의 變遷 = 15 ② 虎의 變遷 = 22 2. 胸背에 나타난 花紋의 變遷 = 25 3. 胸背에 나타난 雲紋의 變遷 = 31 4. 胸背에 나타난 其他의 紋樣 = 32 5. 胸背에 나타난 圖案構成과 色彩의 變遷 = 34 6. 胸背에 나타난 刺緯法 = 35 Ⅴ. 結論 = 38 參考文獻 = 40-
dc.formatapplication/pdf-
dc.format.extent4608833 bytes-
dc.languagekor-
dc.publisher이화여자대학교 대학원-
dc.title李朝時代 胸背에 對하여-
dc.typeMaster's Thesis-
dc.title.translatedThe Fung-Bai of Yi Dynasty-
dc.format.page40 p.-
dc.identifier.thesisdegreeMaster-
dc.identifier.major대학원 자수과-
dc.date.awarded1969. 2-
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일반대학원 > 조형예술학부 > Theses_Master
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