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dc.contributor.advisor白泰昊-
dc.contributor.author金泰珥-
dc.creator金泰珥-
dc.date.accessioned2016-08-26T11:08:04Z-
dc.date.available2016-08-26T11:08:04Z-
dc.date.issued1971-
dc.identifier.otherOAK-000000058026-
dc.identifier.urihttps://dspace.ewha.ac.kr/handle/2015.oak/203144-
dc.identifier.urihttp://dcollection.ewha.ac.kr/jsp/common/DcLoOrgPer.jsp?sItemId=000000058026-
dc.description.abstractThe position of design is positively important in Embroidery. When we embroider on the design of good idea and harmony, we can produce beautiful works. Then it will benefit and thoughtful to study the modeling of ancestor for the further creation. Here going to the west compare with the orient, the orient is instead of Persia, China, Japan, and Korea the West England, France, Germany, Italy. After study their peculiar designs and classify into designs of plant, animal, and scape, geometry, religion, and compare them each other, research mutual and different-problems and analyze in modeling.-
dc.description.tableofcontents目次 = 0 ABSTRACT = 0 Ⅰ. 序論 = 1 Ⅱ. 刺繡圖案의 槪說 = 3 Ⅲ. 刺繡圖案의 史的 槪觀 = 5 A. 東洋 = 5 a. Persia = 5 b. 中國 = 8 c. 韓國 = 12 d. 日本 = 16 B. 西洋 = 21 a. 英國 = 21 b. 프랑스 = 24 c. 獨逸 = 29 d. 이태리 = 32 Ⅳ. 東.西刺繡圖案의 造形的 分析 = 37 A. 植物形態 = 38 B. 動物形態 = 57 C. 幾何學形態 = 74 D. 기타 形態(宗敎的 形態) = 87 Ⅴ. 結論 = 101-
dc.formatapplication/pdf-
dc.format.extent14431149 bytes-
dc.languagekor-
dc.publisher이화여자대학교 대학원-
dc.title刺繡圖案의 造形的分析-
dc.typeMaster's Thesis-
dc.title.subtitle東·西洋 比較를 中心으로-
dc.format.page105 p.-
dc.identifier.thesisdegreeMaster-
dc.identifier.major대학원 자수과-
dc.date.awarded1971. 2-
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