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濟州道 성주풀이의 構成 및 長短의 硏究

Title
濟州道 성주풀이의 構成 및 長短의 硏究
Other Titles
Study on Beat of tune and Construction of Cheju-do Songju Puri
Authors
金恩子
Issue Date
1987
Department/Major
교육대학원 음악교육전공
Keywords
제주도성주풀이장단구성
Publisher
이화여자대학교 교육대학원
Degree
Master
Advisors
홍종진
Abstract
本 硏究는 濟州道의 여러 巫俗 中 濟州道 全域에서 家屋을 新築하였을때 수시로 행하여지고 있는 '성주풀이'라는 굿에 대하여 그 構成 및 長短을 중심으로 몇가지 特徵的 要素를 살펴보는 것을 目的으로 하였다. 本 硏究를 爲하여 3回에 걸친 現場資料調査를 實施하였고, 아울러 韓國文化藝術振輿院 資料館에 비치되어 있는 성주풀이의 VIDEO TAPE를 參考資料로 하였다. 성주풀이의 祭次에 따라 크게 6部分으로 나누었고, 그 6부분에 대하여 다시 상세히 나누어 그 過程에서 나타나는 성주풀이의 構成과 長短의 쓰임, 그리고 陸地와의 地理的인 與件으로 因한 濟州道地方 固有의 音樂用語, 他地方과 비교한 악기의 쓰임등에 대하여 알아 보았다. 그 結果 다음과 같은 結論을 얻었다. 1. 성주풀이에서 使用된 樂器는 打樂器로 장구, 설쉐, 징, 북이며 이는 東部地方과 西道地方의 樂器編成과 類似하다. 2. 수심방의 巫舞 혹은 行爲時에는 3樂器(설쉐, 북, 징)가 쓰이고, 사설 및 巫歌에는 장구나 북의 伴奏가 使用된다. 3. 樂器編成으로 分類해 본 성주풀이는 (A) 混合演奏部分(單樂器+3樂器), (B) 單樂器演奏部分, (C) 3樂器演奏部分의 3부분이며 編成形式은 A·B·C·B로 나타난다. 4. 성주풀이에서 使用된 長短은 느린부분에서는 12/8의 굿거리장단형이 쓰이며, 音樂이 점차 빨라짐에 따라 4/4의 단모리형으로 變한다. 그림삽입(원문참조) 5. 성주풀이에 쓰인 빠르기에 대한 固有한 用語로 「초판-늦인중판 -□진중판-막판」이 使用되었다. 6. 성주풀이 長短의 終止形은 초판-늦인중판-□진중판-막판 중 어느 부분에서 시작하든지 終止는 반드시 '초판'으로 끝난다.;This study is aimed at searching for some characteristic factors centered on the construction and the beat of tune of the exorcism name Songju Puri conucted fequently at the time of having built the new houses in all of the areas of the Cheju-do out of various sorceress customs in Chejo-do, Korea. For this study, the material investigation was conducted on the spot for three times, and made the video tape of Songju Puri in the Material Hall of the Korean Cultural Center the reference material. The process of this study was divided in 6 parts in accordance with the ritual order, and the said 6 parts were divided in detail, and the usage of beat of tune and construction expressed in the process, and the musical terminology peculiar to the district of Cheju-do in relation the land, and the usage of musical instrument compared with the other districts were checked. As a result, the conclusion was brought. 1. The musical instrument used in Songju Puri are the percussion instrument such as the drum, Solshe, ging, bass/side drum, these are similar to the musical construction of the eastern districts and the western districts. 2. At the time of exorcism on the part of the visited and the action, the three musical instruments are used, and in the accounting and sing, the accompaniment of the drum of the bass/side drum is used. 3. In the classification in accordance with the formation of musical instrument, Songju Puri and be divided in 4 parts. The style of formation is expressed in A, B, C and B. (1) Mixed part of playing (A). (2) The part of playing the single musical instrument(B). (3) The part of playing three musical instruments(C). (4) The part of playing the Single musical instrument(B). 4. The beat of tune in Songju Puri is utilized the beat of tune of Gookuri of 12/8 in the slow part and is changed to the type of Danmori of 4/4 as the music gets the more faster. 5. The peculiar terminology to the speed used in Sonju Puri was used as the "Chopan - Late Joongpan - Jajin Joongpan - Late Pan". 6. The Type of terminology of beat of tune of Songju Puri surely comes to and as the Chopan even if in which part of Chopan, Jajin Joongpan, or late Pan it is started.
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