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dc.contributor.author원진숙-
dc.creator원진숙-
dc.date.accessioned2016-08-26T12:08:32Z-
dc.date.available2016-08-26T12:08:32Z-
dc.date.issued2001-
dc.identifier.otherOAK-000000071684-
dc.identifier.urihttps://dspace.ewha.ac.kr/handle/2015.oak/190838-
dc.identifier.urihttp://dcollection.ewha.ac.kr/jsp/common/DcLoOrgPer.jsp?sItemId=000000071684-
dc.description.abstractAs the world are changing and the culture are expanding. We are in the situation that accelerative transformation into the society which we evaluate a value-contralizing outlook on the world and disposition of various meanings, individuality are respected in the view of human's quality of life. This is deeply related with the activation of communication specially in addition to this. I can mention that the importance of communication is growing in the circumstance that the communication is happening in the circle of system of human's life. Besides by dint of the exhibition space is running parallel is running parallel with play and experience not only with the space which is limited to original form we can value on the study that spectators who deal with the issue of the information participate. Material environment is not just limited by the material aspect. We need to understand and approach in the position that regards the affordance of material environment in the view that the relation between human and environment is one organization. We can judge that the necessity of this as we already focus on the claps of period is in the step which we recognize these by the virtue of the problem recognition which came from the mechanism thought in industrialism. These study regards the outcome of the communication between human and environment as the culture. In the planning of exhibition space which represent a secret effect about transmission of this kind of culture. I progressed the study in the view of communicational environment, so called interchange of systems.In addition to this, on basis of the social recognition of an information- oriented society which changes rapidly. As a plan for raising the efficiency of the information-transmission. I thought the exhibition space design is necessary. So I proceed the course of the study about the plan which applies to the design by uniting the whole perception and recognition-problem. The purpose of exhibition is "to see" and this could be intensified by the "emphasis of visible aspect. The before researcher proceeded on the graft basis of consideration in the visual and perceptional aspect. I finally understood that recognition systems of human are composed of the course of stimulation-reaction. Besides this king of reaction from the human is not brought up apparently by the simple material relation. It is related with the cognitive aspect of reactive person. In accordance with this, this researcher proceeded the development course of design in the course of the exhibition scenario, in addition to this for the purpose of becoming the design for the spectator participation. The design was adapted from various experience-space. Considering that the sample place is the Children's Grand Park. I proceeded on the consequence of the study for the control of Children's mind among children spectators, research of the degree of the space-application and study for the design for experience-space. Considering that I limited the character of the space to the environment publicity exhibition space and Childrens Park is in the position that keeps the environmental ecology park, I planned that the form of the space adapts the ground, the design of mine was formed to be a design which is fully considered the environmental aspect. In the plan of the design for spectator participation. The researcher, by this kind of proceeding course, found that the methodology about consideration of the approached theory about perception-recognition of human and application the design is more applicable to suggesting an anticreative plan. I recognized that the problem in modern exhibition-space in the view of problem consciousness for environmental design which are required in future times. I also found it is very valuable to research for the view of thought of the alternative plan as a the solution method of a communicational environment. Through the course of the study, I found that the object of this study can take the role of suggesting the improvement object of the environmental design. I also could get a new vision of the design study. First through the relational recognition between built environment and user who uses so called spectator whom I chose in the view of this study, I finally found the possibility that space design in the point of view that regards the space as the environment can take the systematic role. Second, in the light of that the exhibition space has the purpose of making the space-user recognized what it has intended, through the perception of the human and consideration for the recognition, by means of reflecting on design. I finally found that it could suggest the new design methodology. Third, through the suggestion of the synergetic design which can raise the sense and the effect of recognition under the category of space design. so called wind, water, sound, light, etc... natural material and imaginary stuff, with the comparison light and darkness between the mirror and the hologram and design of using the fabric material and so forth, I was able to suggest the methodology which could improve the original view in the area of original space-design. Fourth, I found that applying the analysis which I analyze the course that spectators move in the exhibition space to the space design can raise the effect for the spectators space recognition. Fifth, through the course that I applied the concept of the space which was intensified with the communication, I found that the design which was intensified with the spectators' participation could raise the exhibition effect of the exhibition space. With the regard to the model study of this study, in the course of approaching in the position of spectator, the user who uses the relationship between the human and material environmental in the view of not just suggesting that the environment's material environment but understanding that environment and built environment are regarded as a same system the researcher regards the environment affordance as a result of the study. Finally, I hope that the compensation for the shortage that I was not able to suggest the ultimate design plan in the view of the still more approached sight will be continued to the next study.;인간은 사회적 상호작용을 통하여 커뮤니케이션을 함으로써 사회적 적응력을 향상시키고 문화를 발전시켜 왔다. 따라서 현대의 고도로 발전되어 가는 사회 상은 곧 커뮤니케이션의 산물로 볼 수 있으며, 특히 정보화 사회로의 이양이 급격한 지금의 시점에서 이 커뮤니케이션이 차지하는 입지는 전체 사회를 통하여 광범위하다고 할 수 있다. 이러한 시각에서 미래의 디자인은 우리가 살아가는 구축환경을 물리적인 시각에서만 보는 관점에서 벗어나 문화와 사회의 심리적 구조 현상에 대한 이해에서 비롯된 총체적인 시각에서의 디자인의 반영이 필요하다고 보며, 특히 우리가 살아가는 오늘날의 현대사회는 보다 거시적인 관점에서의 관계성을 중시하는 가치로의 이양이 급격한 시점에 있다고 보며, 그러한 관점에서 본 연구의 가치를 찾을 수 있다고 본다. 본 연구는 이러한 현대사회의 요구를 이해하고, 해결방안을 구체적으로 연구하는 데 중점을 두고자 하였으며, 공간을 사용하는 인간과 구축환경의 상호작용에 대한 패턴이 존재한다는 가설을 세우고 이러한 패턴을 통해 사회적 상호작용을 조절 할 수 있다는 전제 하에, 인간의 커뮤니케이션에 대한 내용과 그 속에 존재하는 사회적 패턴을 디자인에 반영하는 방법으로 시스템적인 환경을 창출하는데 있어서 해결안을 제시해 보고자 하였다. 본 연구자는 인간의 커뮤니케이션의 큰 테두리 안에서 이해하고, 해석하여 디자인에 적용하는 방법을 찾아보고자 하였다. 인간의 커뮤니케이션에 대한 문제를 "인간이 세계를 어떻게 보고, 받아들이는가"에 대한 "지각 및 인지"의 내용을 고찰하고, 그러한 과정에서 구축환경의 지원성이 사용하는 인간에게 효율적으로 전달될 수 있기 위한 방안에 대해 연구해 봄으로서 해결안을 제시하고자 하였으며, 이러한 본 연구는 보다 총체적인 관점에서 환경을 보고자 하는 것이다. 이것은 일방적이고 관조적인 관계성에서 벗어나 보다 거시적인 관점에서의 체계적 환경의 창출에 기여할 수 있으리라고 본다. 본 연구자는 연구의 대상공간을 특히 커뮤니케이션의 문제가 중요시 된다고 보는 전시공간을 선정하여 대안을 해결해 나가는 과정에서 구체적인 모형사례연구를 통해 검증해 보고자 하였다. 전시공간의 커뮤니케이션에 관한 문제의 해결은 전시의 본질인 정보전달의 문제를 보다 효율적으로 해결해 나갈 수 있는 대안을 제시한다는 점에서 본 연구의 의의를 찾을 수 있다.-
dc.description.tableofcontents논문개요 1. 서론 = 1 1.1. 연구의 목적 = 1 1.2. 연구의 범위 및 방법 = 3 2. 관람자 참여를 위한 이론 고찰 = 5 2.1. 커뮤니케이션론 = 5 2.2. 대인 커뮤니케이션 = 10 2.3. 개인 커뮤니케이션 = 13 2.4. 자아 커뮤니케이션 = 19 2.5. 인간 커뮤니케이션 과정과 내용 = 24 2.6. 회상 = 47 2.7. 커뮤니케이션 강화를 위한 디자인의 요건 = 48 3. 관람자 참여를 위한 전시공간 디자인 = 50 3.1. 디자인 개요 = 50 3.2. 체험 전시디자인 = 52 3.3. 전시 시나리오 = 57 4. 디자인 연구를 위한 프로그래밍 단계 = 59 4.1. 디자인 과정 = 59 4.2. 대상지 설정 및 분석 = 60 4.3. 디자인 프로그래밍 = 69 4.4. 전시공간 별 디자인계획 = 73 4.5. 평면 도출 단계 = 75 4.6. 공간의 축과 공간분할 = 77 5. 최종디자인 시각화 = 78 5.1. 평면도 = 78 5.2. 입면도 = 80 5.5. 투시도 = 83 5.2. 개념이론 및 디자인 적용 방안 = 85 5.4. 전시 부문 별 디자인 해결안 = 91 6. 결론 = 102 참고문헌 = 105 ABSTRACT = 108-
dc.formatapplication/pdf-
dc.format.extent6725401 bytes-
dc.languagekor-
dc.publisher이화여자대학교 디자인대학원-
dc.title커뮤니케이션 환경으로서의 전시공간 디자인에 관한 연구-
dc.typeMaster's Thesis-
dc.title.subtitle관람자 참여를 중심으로-
dc.format.pagevi, 112 p.-
dc.identifier.thesisdegreeMaster-
dc.identifier.major디자인대학원 환경디자인전공-
dc.date.awarded2001. 2-
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