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L.v.Beethoven의 Violin Sonata No.7, Op.30 No.2에 관한 연구분석

Title
L.v.Beethoven의 Violin Sonata No.7, Op.30 No.2에 관한 연구분석
Other Titles
a Study of L. v. Beethoven's Violin Sonata Op.30 No.2
Authors
임영주
Issue Date
2005
Department/Major
대학원 음악학부
Publisher
이화여자대학교 대학원
Degree
Master
Abstract
본 논문은 석사 과정 이수를 위한 졸업 연주곡들 중 「L. v. Beethoven Violin Sonata Op.30 No.2」를 여러 문헌 연구를 통해 베토벤의 생애와 정서적 발달 및 음악 양식의 특징 등을 살펴보고, 곡의 내용과 구조적인 면을 분석하는 것을 주요 내용으로 한다. 베토벤은 그의 생애를 통해 모두 10곡의 Violin Sonata를 작곡하였다. 그의 10개의 Violin Sonata 모두 훌륭한 업적으로 인정받고 있으며 초기 몇 작품은 자신이 직접 연주하기 위해 지은 곡으로 바이올린에 남다른 애정이 있었음을 알 수 있다. 중기와 후기에 작품들은 헌정하였거나 당대 유명한 바이올리니스트들이 초연을 하였다. 「L. v. Beethoven Violin Sonata Op.30」은 1802년에 작곡되어서 1803년에 발표되었는데 당시 귓병이 심각해진 베토벤이 유서룰 썼었던 시기인 만큼 그의 절망과 고통 속에서 탄생했던 작품이다. 음악가로서 귀에 문제가 있다는 사실 자체로도 엄청난 불행이자 고통이었음에도 불구하고 그는 병을 극복하고는 과거보다 더 훌륭한 작품들을 썼는데 이 곡 역시 그런 작품들 중 하나이다. 이 중 두 번째 작품인 No.7, Op.30 No2는 바이올린의 10개의 작품 중 No.9와 함께 가장 훌륭하고 웅장하며 베토벤의 특징들이 잘 나타나있는 곡으로 높이 평가를 받는다. c minor의 조성으로 4악장으로 구성되어 있는 이 곡은 1악장은 소나타형식, 2악장은 3부 형식, 3악장은 복합 3부 형식으로 스케르초악장이며 4악장은 론도형식으로 쓰여 있다. 본 논문은 먼저 서론에서 연구의 목적을 밝히고, 본론에서는 Violin Sonata op.30 No.2를 각 악장별로 구성, 화성, 형식 등을 분석하고자 한다.;The following thesis state the analysis summary for , through the understanding of his musical and personal life as well as the in-depth understanding of the mentioned piece in terms of its form and structure. Beethoven is recognized as one of the key figures to link the two great eras music in history: classical and romantic periods. Haydn and Mozart heavily influenced Beethoven. He actually had studied under Haydn as a student. Despite such heavy influence, he established his own musical tendency and style instead of succeeding the musical characteristics of his former mentor. He completed the Sonata form in the first movement and utilized the Scherzo rather than Minuet in third movement to construct the stronger structure. During his life, Beethoven has composed total of 10 Violin Sonatas. Although all of these pieces are recognized as the great accomplishment, a few Sonatas that he composed in early days were actually composed to play for himself. The other Sonatas that are composed in later days were played by the other well-known violinists. was created during his darkened time when he was experiencing the serious illness regarding his hearing capability. Despite the traumatic experience of losing hearing capability as a musician, Beethoven was able to compose numerous musical pieces. were also one of those pieces. These particular three Sonatas were created upon the request of Alexander the first of Russia, which makes it called "Alexander Sonata." Among Beethoven's 10 Sonatas, is considered as one of the great Sonatas with . This Sonata shows the much larger and stronger structure and form in terms of musical characteristics. Beethoven has tried to structure his Sonata with the expression of unification and precision through utilization of counterpoint such as canon, fugato and enhanced motivation. In addition, he brought vitality in rhythm by application of syncopation or hemiola. He also tried to emphasize its dynamic by rapid change of strong and weak beat. In the first movement of sonata, it is structured with four sections by adding enlarged coda after exposition, development and recapitulation. In the second movement, it has a structure of simple ternary style in typical manner. In the third movement, Beethoven has used Scherzo instead of Minuet, which has been used throughout the entire Sonata. In the last movement, it is composed of Rondo form that contains Subject with two factors. This Subject gets small changes when it appears. In addition, Subject evolves with Rondo and Sonata mood when major change appears in middle section.
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