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공간 이미지를 주제로 한 동시성적 일러스트레이션

Title
공간 이미지를 주제로 한 동시성적 일러스트레이션
Other Titles
Simultaneous Illustration on the Subject of Space-Image
Authors
최지숙
Issue Date
1990
Department/Major
산업미술대학원 산업미술학과광고디자인전공
Keywords
공간 이미지일러스트레이션동시성광고디자인
Publisher
이화여자대학교 산업미술대학원
Degree
Master
Abstract
Illustration is a genre of art today rather than only a visual message as it's funtion. Illustration enriches visual environment of people and plays a role of a message. It's sphers is gradually enlarged, so that people refuire individual and distinctive expression. The goal of this research is to find a way of visual expression which form and concept are efual each other in order to understand Human's character of visual idea and to do positive visual work. The man whoes character is accumulation of memory has various image to an object. Visual expression should come out when we understand the dimensions of human's sense and get rid of limited fixed-idea. Simultaneous expression works for that. When total memories, experiences and moments are integrated and implied, general image can be expressed. Based on above intension, in chapter Ⅱ, in order to find a way of simultaneous expression, the conception of simultaneity is approached in field of phisics, philosophy and art. For plane-work, simultaneous styles which are exppressed in paintings are studied as divided by Perspective, Form and Color. In chapter Ⅲ, the simultaneous space-image is abstracted from plastic eiements of oriental and western paintings and the significance of space expression is researched. In chapter Ⅳ of Artwork, appearance of ordinary environment are reprtesented as combining simultaneous styles which are abstracted from the paintings. Therefore non-visual space is revealed and general image of ordinary enviroment can be represented. In conclusion of chapter Ⅴ, all of visual and intellectual experiences are recognized as the quality of simultaneity. The combination of oriental and western vision make it enlarge to have experience of cognition. Various expressions of simultaneity show the message strongly as a symbol emotional language.Illustration is a genre of art today rather than only a visual message as it's funtion. Illustration enriches visual environment of people and plays a role of a message. It's sphers is gradually enlarged, so that people refuire individual and distinctive expression. The goal of this research is to find a way of visual expression which form and concept are efual each other in order to understand Human's character of visual idea and to do positive visual work. The man whoes character is accumulation of memory has various image to an object. Visual expression should come out when we understand the dimensions of human's sense and get rid of limited fixed-idea. Simultaneous expression works for that. When total memories, experiences and moments are integrated and implied, general image can be expressed. Based on above intension, in chapter Ⅱ, in order to find a way of simultaneous expression, the conception of simultaneity is approached in field of phisics, philosophy and art. For plane-work, simultaneous styles which are exppressed in paintings are studied as divided by Perspective, Form and Color. In chapter Ⅲ, the simultaneous space-image is abstracted from plastic eiements of oriental and western paintings and the significance of space expression is researched. In chapter Ⅳ of Artwork, appearance of ordinary environment are reprtesented as combining simultaneous styles which are abstracted from the paintings. Therefore non-visual space is revealed and general image of ordinary enviroment can be represented. In conclusion of chapter Ⅴ, all of visual and intellectual experiences are recognized as the quality of simultaneity. The combination of oriental and western vision make it enlarge to have experience of cognition. Various expressions of simultaneity show the message strongly as a symbol emotional language.;현대의 일러스트레이션은 전달 기능으로써 뿐만 아니라 하나의 예술형식이라고 할 수 있다. 일러스트레이션은 대중의 시각 환경을 풍요롭게 하고 메시지로서의 역할을 수행하는 것이다. 오늘날 점차 그 영역이 확대되면서 대중은 보다 개성있고 차별화된 표현을 요구한다. 이에 본 논문은 「인간의 시각적 사고의 특성을 이해하고 보다 적극적인 시각화 작업을 시도하기 위하여 형식과 개념의 일치된 시각적 표현 방법을 찾는데 그 목적을 둔다. 인간은 "기억의 蓄積的 特徵"으로, 대상에 대하여 다양한 이미지를 갖고 있다. 시각적 표현은 인간의 인식적 차원을 이해하고 한정된 고정관념에서 벗어나야 할 것이다. 이는 同時性論인 표현으로 가능 할 것이다. 기억. 경험. 순간의 총체를 통합하여 함축시킬 때 전하고자 하는 이미지의 종합적인 인상을 도와주는 것이다. 따라서 Ⅱ장에서는 "同時性的"인 표현 방법을 찾기 위하여 물리학 철학 예술의 분야에서 同時性의 개념을 살펴보고 평면화 작업으로 가능하기 위하여 회화에서 표현된 동시성적인 조형요소를 Perspective, Form, Color로 분류하여 살펴본다. Ⅲ장은 東·西洋 繪畵에 나타난 동시성적 조형요소의 대표적인 사례를 찾아보고 그러한 공간 표현이 갖는 의미를 분석하였다. Ⅳ장의 작품제작은 회화에서 찾아본 동시성적인 조형요소들을 결합하여 일상적으로 접할 수 있는 생활 공간의 모습을 표현하였다. 비가시적인 공간 체계를 보여 주어 일상생활의 종합적인 이미지를 전달하고자 한다. Ⅴ장 결론은 인간의 모든 視知覺의 경험적 특성을 "同時性"의 문제로 이해하고, 그 방법에 있어서도 동양적인 시각과 서양적인 시각의 결합으로. 인식론적인 체험을 확대시킬 수 있다. 다양한 동시성적 표현은 전달하고자 하는 메시지를 더욱 감정적인 언어의 상징으로 보여주는 것이다.
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