| 2000 | Dance and Democracy | 서숙 | Article |
| 2019 | Effects of gender on the use of voice onset time and fundamental frequency cues in perception and production of English stops | 오은진 | Article |
| 2011 | Effects of speaker gender on voice onset time in Korean stops | 오은진 | Article |
| 2007 | Ing forms and the progressive puzzle: A construction-based approach to English progressives | 이승아 | Review |
| 2016 | MAN OF LA MANCHA | Laura MacDonald | Theater Review |
| 2020 | Monstrous National Allegory: The Making of Monstrous Otherness in Na Hong-jin's The Wailing | 신희섭 | Article |
| 2020 | Multiple movement dependencies and parasitic gaps | Isaac Gould | Article |
| 2021 | Narratives of "borders conquered, disfigured" in Myung Mi Kim's Under Flag | 황준호 | Article |
| 2021 | On wh-copying in Mon | Isaac Gould | Article |
| 2023 | Parasitic gap patterns and hierarchy preservation in German | Isaac Gould | Article |
| 2021 | Perceptions on generic exceptions | 윤영은 | Article |
| 2019 | Right to the City: The Metropolis and Gangnam Style | 최주리 | Article |
| 2018 | Spectral patterns of the American English diphthong /aI/ as a function of coda voicing produced by native Korean speakers | 오은진 | Article |
| 2006 | The metropolis and mental life in the novel | 최주리 | Review |
| 2009 | The mother-daughter relationship and empowerment in the writing of Korean-American women | 오정화 | Article |
| 2016 | The Vexed Location of Teaching American Studies in South Korea | 김민정 | Editorial Material |
| 1996 | Total and partial predicates and the weak and strong interpretations | 윤영은 | Article |
| 2023 | Toward a Comparative Classics | Paul Allen Miller | Article |
| 2019 | Transnational Film Remaking and Destabilized Meanings: Reading Kim Jee-woon's The Good, the Bad, the Weird | 이형숙 | Article |
| 2016 | Verb Agreement in English Wh-Clefts: A Corpus-Based Study | 이승아 | Article |
