| 2015 | Aktionsart, progressive aspect and underspecification | 이승아 | Article |
| 2018 | An acquisition-based evaluation metric for competing syntactic theories | Isaac Gould | Article |
| 2022 | An Ambivalent Gaze at North Koreans in Guy Delisle's Pyongyang | 황준호 | Article |
| 2008 | Coarticulation in non-native speakers of English and French: An acoustic study | 오은진 | Article |
| 2014 | Connecting irony and humor with witticism and lightheartedness | 윤영은 | Article |
| 2017 | Cosmopolitan Practice, Asian Otherness, and a Localized Cosmopolitanism in Guy Delisle's Asian Travelogues | 황준호 | Article |
| 2012 | Cruelty and Desire in the Modern Theater: Antonin Artaud, Sarah Kane, and Samuel Beckett | 최성희 | Book Review |
| 2000 | Dance and Democracy | 서숙 | Article |
| 2019 | Effects of gender on the use of voice onset time and fundamental frequency cues in perception and production of English stops | 오은진 | Article |
| 2011 | Effects of speaker gender on voice onset time in Korean stops | 오은진 | Article |
| 2007 | Ing forms and the progressive puzzle: A construction-based approach to English progressives | 이승아 | Review |
| 2016 | MAN OF LA MANCHA | Laura MacDonald | Theater Review |
| 2020 | Monstrous National Allegory: The Making of Monstrous Otherness in Na Hong-jin's The Wailing | 신희섭 | Article |
| 2020 | Multiple movement dependencies and parasitic gaps | Isaac Gould | Article |
| 2021 | Narratives of "borders conquered, disfigured" in Myung Mi Kim's Under Flag | 황준호 | Article |
| 2021 | On wh-copying in Mon | Isaac Gould | Article |
| 2023 | Parasitic gap patterns and hierarchy preservation in German | Isaac Gould | Article |
| 2021 | Perceptions on generic exceptions | 윤영은 | Article |
| 2019 | Right to the City: The Metropolis and Gangnam Style | 최주리 | Article |
| 2018 | Spectral patterns of the American English diphthong /aI/ as a function of coda voicing produced by native Korean speakers | 오은진 | Article |
